CMA’s Studio Go Uses Art as a Catalyst for Conversation

CMA’s Studio Go Uses Art as a Catalyst for Conversation


Roadside Gambler, 2013. Karsten Creightney (American, b. 1976). Published by Zanetta Edition, printed by Mitchell Marti at Interbang Press. Color linocut; 57.5 x 76.5 cm. Karl B. Goldfield Trust, 2013.95

Linocut: The Potential of Carving The Studio Go team will teach the techniques of printing with linoleum and the history behind this art form. Discussion questions will focus on what we see and do not see when looking at the world around us. This project is inspired by Karsten Creightney’s Roadside Gambler from the CMA’s renowned collection of works on paper.

Harem #14, 2009. Laila Essaydi (Moroccan, b. 1956). Chromogenic print mounted to aluminum; 101.6 x 76.2 cm. The Severance and Greta Millikin Purchase Fund, 2012.14

Framing What’s Important Motivated by the CMA’s Harem #14 by Lalla Essaydi and His Lantern by Afruz Amighi, two striking artworks that experiment with the concepts of foreground and background, this project will utilize a photo backdrop and props to make objects blend in or stand out while demonstrating the importance of compositional framing in photography.

The Adventures of the Modernist Cannibals (Les Aventures des Cannibales Modernistes), 1999. Enrique Chagoya (American, b. 1952). Publisher/printer: Shark’s Ink. Accordion-folded book with eight lithograph and woodcut with chine collé panels; each page: 19 x 29.3 cm. Dudley P. Allen Fund, 2019.17

The Human Figure: Athletes, Cartoons, and Superheroes In this project, participants will learn different forms of drawing that center on the human figure. People will be encouraged to transform themselves or others into drawn figures, with a focus on cartoon characters, superheroes, and athletes. Using both the museum’s contemporary print The Adventures of the Modernist Cannibals (Les Aventures des Cannibales Modernistes) by Enrique Chagoya and the CMA’s upcoming exhibition Michelangelo: Mind of the Master as reference points, the Studio Go team will lead discussions about comic books and traditional forms of drawing, what our own individual powers may be, and the susceptibility of heroes and villains.

1200 Meditation, Things My Mother Gave Me, 2005. Cecil McDonald (American, b. 1965). Inkjet print; 43.5 x 59.9 cm. Gift of Friends of Photography, 2007.178. © Cecil McDonald Jr

Art & Music: Sound, Dance, and Album Art Showcasing the process that artists use to make album covers, the Studio Go staff will offer the chance to participate in a variety of activities — creating different sounds, dancing, designing imaginary album covers — that deal with the connections between visual art and music. This project draws inspiration from the photograph 1200 Meditation, Things My Mother Gave Me by Cecil McDonald and the color screenprint Self-Portrait as Record Collector by Allen Ruppersberg, two notable 21st-century works from the CMA’s permanent collection.

Studio Go is sponsored by PNC Bank.



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